Werdegang / Ausbildung: 
CATHERINE EVANS is a Berlin-based Australian artist who works across photography, sculpture and installation. Her work focuses on geologic time and where this intersects with our own human timescales: as found in our bodies, their materiality and our lived-histories through colonialism and archaeology. Initially trained in science, and then photography, her work is characterised by a material intimacy that subverts the utility of everyday materials such as rocks, carpet and sticky tape to give unexpected shifts in our perception of light, weight and balance.
Wichtige Projekte / Ausstellungen: 
Solo and Collaborative
2019, Memory Work, tête, Berlin
2017, Mammalia (with Piotr Pietrus), tête, Berlin
2014, Standing Stone, BLINDSIDE, Melbourne
2013, Batholith, Knight St Art Space, Footscray

Curated Exhibitions (selection)
2020, Neuköllner Kunstpreis 2020, exhibition of the nominated artists, Galerie im Saalbau, Berlin
2019, RAUMANEIGNUNG (curated by Conny Becker) Pavillon am Milchhof, Berlin
2019, Jack’s Reloaded: Material as Memory (curated by Eugene Perepletchikov & Georgia Nowak), Melbourne
2018, Significant Velocities (curated by Andrew Tetzlaff), RMIT Project Space, Melbourne
2018, Family of No Man, Cosmos-Arles Books, Arles
2017, Thousand Year Stare (curated by Sam Leach), Chamber, Melbourne
2017, The Presence of Absence (curated by Martin Steffens and Susann Kramer), Kunstverein Neukölln, Berlin
2016, Shadow Sites (curated by Frances Wilkinson and Samantha McCulloch), Centre for Contemporary Photography, Melbourne
Auszeichnungen / Preise: 
2020, first prize winner, Neuköllner Kunstpreis, Berlin
2017, Georges Mora Fellowship, Melbourne
2013, VCA Graduate Mentorship (with Susan Jacobs), Victorian College of the Arts in partnership
with Arts Victoria
2013, Finalist, Substation Contemporary Art Prize, The Subs