- Open Format
The Illusion of Freedom
Asaf Erdemli
27 June 2025 19:00–22:00
28 June 2025 10:00–22:00
29 June 2025 10:00–19:00
The Illusion of Freedom
Today, technological advancements have expanded the possibilities for individuals to express themselves, shape their identities, and become visible. At the same time, however, they have created an invisible system of control and guidance. Through social media algorithms, personal data, and digital content, individuals are led to believe they are making free choices, while in reality, they are being steered toward options presented by the system.
As Michel Foucault described with his metaphor of the panopticon, individuals are no longer controlled primarily through external pressure, but rather through internalized norms.
In this context, religious boundaries also become a subject of debate. While traditional religious structures define the individual's life with specific rules, these rules sometimes aim to preserve inner balance and meaning. However, when these boundaries become dogmatic, they can weaken one’s ability to think, question, and grow. At this point, the authority of religion and the manipulation of modern systems serve a similar function: both shape the individual's perception of freedom.
According to Jean Baudrillard’s theory of simulation, this state of freedom is often nothing more than an image. Through the narratives of "freedom" offered by both the digital world and dogmatic structures, the individual falls under a new form of domination.
True freedom, as Søren Kierkegaard emphasized, begins when the individual confronts their own existence before God and truth. Neither the boundlessness of technology nor the absoluteness of religion alone can provide freedom. Freedom lies hidden in the courage to consciously strike a balance between these two extremes.
Today, technological advancements have expanded the possibilities for individuals to express themselves, shape their identities, and become visible. At the same time, however, they have created an invisible system of control and guidance. Through social media algorithms, personal data, and digital content, individuals are led to believe they are making free choices, while in reality, they are being steered toward options presented by the system.
As Michel Foucault described with his metaphor of the panopticon, individuals are no longer controlled primarily through external pressure, but rather through internalized norms.
In this context, religious boundaries also become a subject of debate. While traditional religious structures define the individual's life with specific rules, these rules sometimes aim to preserve inner balance and meaning. However, when these boundaries become dogmatic, they can weaken one’s ability to think, question, and grow. At this point, the authority of religion and the manipulation of modern systems serve a similar function: both shape the individual's perception of freedom.
According to Jean Baudrillard’s theory of simulation, this state of freedom is often nothing more than an image. Through the narratives of "freedom" offered by both the digital world and dogmatic structures, the individual falls under a new form of domination.
True freedom, as Søren Kierkegaard emphasized, begins when the individual confronts their own existence before God and truth. Neither the boundlessness of technology nor the absoluteness of religion alone can provide freedom. Freedom lies hidden in the courage to consciously strike a balance between these two extremes.
Biography
Asaf Erdemli
Asaf Erdemli, using primarily recycled materials in his artworks, investigates the mechanisms of control and manipulation, and consumption habits of the past and present. By running a recycling process in his mind, he transforms his inferences about what will be consumed today and in the future into contemporary art objects.
Asaf, born in 1977, graduated from Hacettepe University Fine Arts Faculty Department of Sculpture / Turkey in 2007.
Asaf continues to create his artworks in his workshops in Germany and Turkey. His artworks has been showcased in prestigious events such as the International Fine Arts Fair at the Paris Louvre Museum, Neukölln 48 Berlin, and the Scrap Art Exhibition in Qatar. He has collaborated with numerous international brands on sustainability-focused projects. Bein
Asaf, born in 1977, graduated from Hacettepe University Fine Arts Faculty Department of Sculpture / Turkey in 2007.
Asaf continues to create his artworks in his workshops in Germany and Turkey. His artworks has been showcased in prestigious events such as the International Fine Arts Fair at the Paris Louvre Museum, Neukölln 48 Berlin, and the Scrap Art Exhibition in Qatar. He has collaborated with numerous international brands on sustainability-focused projects. Bein
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