HOME

HOME is conceived as a living installation that exists on its own and is periodically activated by live performances. Rather
than approaching home as a fixed place, the project understands it as a shifting condition shaped by memory, bodies,
sound, and spatial traces.
The visual installation consists of moving images projected into the space. Real footage and newly produced images are
layered together: scenes from domestic interiors, fragments of everyday life, interior and exterior spaces, and architectural
elements. The real and the surreal intertwine as familiar spaces are distorted and reconfigured. The resulting image of home does not belong to a single place, but remains temporary and fluid. When no performance takes place, the installation
continues to operate through projection and sound.
Sound forms a continuous layer of HOME. Composed of field recordings and analogue synthesizers, it produces familiar yet
indistinct sonic textures. Without pointing to a specific location, these sounds evoke a bodily sense of belonging and
interiority, suggesting that home can be experienced not as a physical place, but as a lived condition. Sound keeps the
space in motion and reshapes its perception together with the projections.
At specific times, the installation is activated by live performance. Three bodies inhabit the projected space through slow,
attentive movement. Using contact microphones, breath and heartbeat are amplified and diffused into the environment;
internal rhythms merge with projection and sound to form a collective resonance. The performance does not represent the
installation; body, projection, and sound share the space simultaneously, allowing the installation to temporarily transform.
In dialogue with the festival theme OUT/SIDE/IN, HOME explores the porous boundaries between inside and outside, personal
and public, proposing home as a temporary condition emerging through presence, listening, and shared space.