- Perspective
Infinite Sequence
SUNRS
3 July 2026 19:00 – 4 July 2026 00:00
4 July 2026 12:00 – 5 July 2026 00:00
5 July 2026 12:00–19:00
Infinite Sequence is a moving image and painting collaboration between Arash Goudarzi (1993, Iran) and Yaqma Sorousheh (1994, Iran).
Moving between desire and temperance, intimacy and visibility, the show explores the body as a stage for personal and societal projections, where biases and taboos have defined the permissible boundaries of movement and existence.
Their shared practices navigate distance and the conditions that have fractured their relationship and artistic lives. Here distance functions as a generative mechanism, and separation is a methodology of dispersed authorship to shape new aesthetic strategies, relational concepts and imaginations.
Arash’s video game unfolds a field in which body, image, movement, and interaction continuously reorganize one another.
Yaghma’s paintings stage the gaze as a threshold, edging between urgency and inaction where looking is not fully resolved into voyeurism.
Between painting and simulation, the project proposes an experimental atmosphere built free from colonial conditions and restrictions for body, gender and identity. It refuses the stability of form, what appears as fluidity must be read against the persistent structures that demand coherence, legibility, and containment. What emerges is not multiplicity as abundance, but a refusal to settle, remaining tethered to the conditions it resists.
In an art economy where vulnerability, marginalization and suffering have become cultural currency, where a long-standing orientalist fascination with the sexualized eastern body carries special value, Infinite Sequence refuses to be restrained by the modus operandi in which it circulates.
Moving between desire and temperance, intimacy and visibility, the show explores the body as a stage for personal and societal projections, where biases and taboos have defined the permissible boundaries of movement and existence.
Their shared practices navigate distance and the conditions that have fractured their relationship and artistic lives. Here distance functions as a generative mechanism, and separation is a methodology of dispersed authorship to shape new aesthetic strategies, relational concepts and imaginations.
Arash’s video game unfolds a field in which body, image, movement, and interaction continuously reorganize one another.
Yaghma’s paintings stage the gaze as a threshold, edging between urgency and inaction where looking is not fully resolved into voyeurism.
Between painting and simulation, the project proposes an experimental atmosphere built free from colonial conditions and restrictions for body, gender and identity. It refuses the stability of form, what appears as fluidity must be read against the persistent structures that demand coherence, legibility, and containment. What emerges is not multiplicity as abundance, but a refusal to settle, remaining tethered to the conditions it resists.
In an art economy where vulnerability, marginalization and suffering have become cultural currency, where a long-standing orientalist fascination with the sexualized eastern body carries special value, Infinite Sequence refuses to be restrained by the modus operandi in which it circulates.
Biography
SUNRS
SUNRS (1990, Iran, they/them) is a transdisciplinary artist, designer and curator based in Berlin. They hold a BA in Architecture and studied Graphic design in Tehran, before studying Fine Arts at Städelschule in Frankfurt am Main. Alongside audiovisual installations and design, they organize reading events, sonic gatherings, listening sessions, and exhibitions, including Videonight screening at Hauptwache train station, sonic events such as Soundarc, Liquid Listenings, and Town radio show on Radio x in Frankfurt am Main and Reading Performances for the Rough House group exhibition at Magma Maria in Offenbach.