I Had a One-Nightly Vision Where I Could Explore the Tension Between Meta and Morphosis

An evolving exploration of the female body as a living borderland – a porous and unstable site where inside and outside, past and present, self and other intersect. The body is not a closed form but a map in flux, layered with cultural, mythological, technological and emotional inscriptions.

Figure is rooted in self-representation as well as collective feminine archetypes. The artist’s body serves as a reference – not a portrait, but a material through which questions of identity, visibility and transformation are explored. Classical poses evoke goddesses and archetypes, but they are unstable. Limbs become organs of perception, eyes wander across skin, and animals merge with flesh. Myth lives on, shaping contemporary embodiment and bridging past and present.

Boundaries are treated as spaces of negotiation. Figures remain in between: meanings shift, identities evolve, and inside and outside dissolve. Focusing on the gaze – through displaced eyes and self-observation – reflects analog and digital realities. Some of the figures engage with digital self-image, dissolving distinctions between viewer and viewed, body and image.

Textiles evoke skin, clothing, rituals; sculptures bring hybrids into the space, transforming the exhibition into a navigable borderland.

Within the OUT / SIDE / IN festival concept, the project presents the female body as a contemporary, mythological and contemporary threshold where cultural memory, technology and imagination are intertwined, and notions of belonging, perception and identity remain fluid and in continuous negotiation. The body is not an end point, but the beginning of stories, hybrid forms and ongoing transformations.