- Photography
Unseen - When bodies don`t fit the norm. A photographic exhibition about lipedema
Friederike Knust, Fanni Disqué
3 July 2026 19:00–20:00
4 July 2026 12:00–20:00
5 July 2026 12:00–19:00
Societal beauty standards determine which bodies are visible and which are devalued or rendered invisible. They draw boundaries between recognition and exclusion – and inscribe themselves deeply into self-images, emotions, and possibilities for action.
The exhibition engages with lipedema, a chronic and painful fat distribution disorder. In medical contexts, lipedema is often classified as a so-called “women’s disease” and has long been marginalized. Bodies with lipedema rarely conform to dominant beauty ideals; they are pathologized, shamed, and frequently not taken seriously. Alongside the condition itself, the experiences of those affected often remain unseen.
What becomes possible when those affected decide for themselves about their visibility? When they determine how, where, and to what extent they want to be seen?
The exhibition emerged from a participatory research process and understands itself as an artistic-research project. The photographic work places self-determination at its center: participants decide on framing, perspective, and which parts of their bodies become visible. Instead of positioning them as objects of a gaze, the project creates a space they shape themselves. Lipedema is not presented as an individual deficit, but as a socially framed experience intertwined with beauty standards and questions of visibility.
The exhibition invites visitors to question their own gaze: Which bodies are considered “normal”? Who is allowed to be visible – and under what conditions? And what changes when visibility becomes self-determined?
The exhibition engages with lipedema, a chronic and painful fat distribution disorder. In medical contexts, lipedema is often classified as a so-called “women’s disease” and has long been marginalized. Bodies with lipedema rarely conform to dominant beauty ideals; they are pathologized, shamed, and frequently not taken seriously. Alongside the condition itself, the experiences of those affected often remain unseen.
What becomes possible when those affected decide for themselves about their visibility? When they determine how, where, and to what extent they want to be seen?
The exhibition emerged from a participatory research process and understands itself as an artistic-research project. The photographic work places self-determination at its center: participants decide on framing, perspective, and which parts of their bodies become visible. Instead of positioning them as objects of a gaze, the project creates a space they shape themselves. Lipedema is not presented as an individual deficit, but as a socially framed experience intertwined with beauty standards and questions of visibility.
The exhibition invites visitors to question their own gaze: Which bodies are considered “normal”? Who is allowed to be visible – and under what conditions? And what changes when visibility becomes self-determined?
Biography
Friederike Knust, Fanni Disqué
Friederike Knust studies Critical Diversity and Community Studies and engages artistically with body norms, shame, and social invisibility. The starting point of her work is her own experience with lipedema, a chronic condition. As part of her studies, she developed a personal photo book that combines photographs of her body with autobiographical texts and creates a counter-archive to pathologizing representations.
For the photographic realization, she collaborates with Fanni Disqué. Fanni Disqué works at the intersection of photography, art, and jewelry design and addresses the diversity of bodies as well as the breaking of gender-specific norms. Her practice focuses on making individual corporealities visible and appreciating the imperfect.
For the photographic realization, she collaborates with Fanni Disqué. Fanni Disqué works at the intersection of photography, art, and jewelry design and addresses the diversity of bodies as well as the breaking of gender-specific norms. Her practice focuses on making individual corporealities visible and appreciating the imperfect.
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