- Visual Art
- Photography
- Installation
Statistics of a Bouquet
Beate Rusch
3 July 2026 19:00–23:00
4 July 2026 15:00–22:00
5 July 2026 15:00–19:00
Statistics of a Bouquet explores the connection between a transient flower arrangement and sober figures of birth and death, revealing how individual grief and collective timekeeping intertwine.
The project is based on the idea that the realm of the dead exceeds that of the living, and that boundaries between life and death, inside and outside, past and present are fluid. Drawing on philosophical ideas by Dutch writer Connie Palmen, the human body and memory are understood as archives: traces of other lives, words and losses inhabit us from birth.
The photographic installation centers on a bouquet of red tulips in a red vase. Its natural decay was documented over eight months, from April to November 2025, resulting in 147 images that show the transition from freshness to withering, from presence to absence. A selection of these photographs is accompanied by statistical data on births and deaths in Berlin and from other cities. This links personal observation with collective reality.
The photographs are printed on semi-transparent curtain fabric hanging from ceiling to floor. Visitors move along and between the images, experiencing overlaps, shadows and permeability. The installation is complemented by paintings interpreting the same theme.
The work originates from a personal loss: the bouquet was a gift received at the funeral of my husband, who died unexpectedly in February 2025. The installation is a quiet ritual of remembrance and transition, connecting individual experience with a universal one.
The project is based on the idea that the realm of the dead exceeds that of the living, and that boundaries between life and death, inside and outside, past and present are fluid. Drawing on philosophical ideas by Dutch writer Connie Palmen, the human body and memory are understood as archives: traces of other lives, words and losses inhabit us from birth.
The photographic installation centers on a bouquet of red tulips in a red vase. Its natural decay was documented over eight months, from April to November 2025, resulting in 147 images that show the transition from freshness to withering, from presence to absence. A selection of these photographs is accompanied by statistical data on births and deaths in Berlin and from other cities. This links personal observation with collective reality.
The photographs are printed on semi-transparent curtain fabric hanging from ceiling to floor. Visitors move along and between the images, experiencing overlaps, shadows and permeability. The installation is complemented by paintings interpreting the same theme.
The work originates from a personal loss: the bouquet was a gift received at the funeral of my husband, who died unexpectedly in February 2025. The installation is a quiet ritual of remembrance and transition, connecting individual experience with a universal one.
Biography
Beate Rusch
Beate Rusch, born in Leer in 1962, is an artist who works with colour painting. She came to West Berlin to study, eventually settling in Berlin after the fall of the Wall. Following initial professional success outside of art, she resumed her artistic training in 2008. Since then, she has been pursuing her artistic practice with Birgit A. Jansen (Berlin) and studying the theory and practice of colour painting with Jerry Zeniuk and Ingrid Floss (Munich) and Rebecca Raue (Berlin).
Solo and group exhibitions in Berlin (including Art Kreuzberg, 2013, 2014, 2023), Bad Reichenhall (2016), Herrenchiemsee Palace (2017), Munich (2025) and Rome (2025). Lives and works in Berlin.
Solo and group exhibitions in Berlin (including Art Kreuzberg, 2013, 2014, 2023), Bad Reichenhall (2016), Herrenchiemsee Palace (2017), Munich (2025) and Rome (2025). Lives and works in Berlin.
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